Deadpool (Marvel Comics) is an interesting American comic book superhero, or, perhaps more accurately, anti-hero.
Deadpool is a heroic vigilante whose unusual methods sometimes border on the radical, creating eerie controversies about the obligations of law officers (i.e., maniac cops).
Vigilantism is a popular social discussion theme in the modern age of high urban traffic and mercantilism-based governance (i.e., European Union), when there is a strange connection between jurisprudence and economic profitability. Deadpool therefore represents general angst.
Making a controversial vigilantism themed comic book character such as Deadpool (Marvel Comics) suggests there's a subconscious sociological interest in catering to self-destruction psychiatry.
Why do we invent heinous fictional serial killers in horror/crime literature/cinema such as Michael Myers (from Halloween), Patrick Bateman (from American Psycho), John Doe (from Se7en), and Two-Face (from The Dark Knight)?
This could explain the comparatively more graphic quality of Deadpool (Marvel Comics) art.
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