I think Slott has overstayed his welcome in Spider-Man publications. His stuff before "Superior" was fairly standard fare- nothing exceptional, but nothing that should make any reasonable person hate his presence on the storyboard. He and Ramos made a decent team in making a new, iconic Spider-Man (Especially "Big Time".)
I also think it's important to acknowledge the development of side characters during his run thus far. Carly Cooper, Max Modell, Sajani (Last name escapes me), and in particular Anna Maria Marconi have all been memorable additions to the old-hat Spider-Man crew, and they've all been fairly strong characters in their own right. Not to mention his reintegration of Kaine and Miguel O'Hara (2099) back into relevance, causing two very well put-together series (albeit at the hands of other writers.)
He's also written Doc Ock better than anyone else to date, as far as I'm concerned. Even pre-superior, he had a lot of this stuff down, but I feel like the Superior run was when he peaked. ASM #700 is probably the singular issue he'll be remembered for most of all; it's still one of the most controversial issues released in the modern era. I don't particularly care for that book- it left quite a bitter taste in my mouth upon reading it all the way back when it was released. The death of Peter Parker in that issue was painful to read, and I feel it's important to remember that, in a very real sense, the character really did die in that issue.
I was so considerably offended by the events in 700 that I, like many at the time, boycotted Superior with something I can only describe in retrospect as righteous indignation. I didn't come around until 2014, when the status-quo was re-upped. The first few issues of the third volume ASM run didn't overly impress me, but they did encourage some curiosity in me as to what had gone on in the 33 some-odd issues of Superior that I had passed up.
So, I read them. And once I let go of the rage of what had happened to Peter, I actually had a hell of a time with them. They were edgy and compelling books that were exploring interesting and uncharted narrative territory. I consistently had to ask myself if I was rooting for or against Otto, which only serves to prove how well the story was put together. I was sorry to see the run end when it did, and I feel like everything Slott has done since has been quite underwhelming- or, worse, terrible.
Spider-Verse is the 'terrible' bit I just alluded to. What. A. Mess. I realize that Slott was FAR from the only writer tangled up in that web of garbage (pun intended), but that doesn't excuse the absolute pile of confusing and overblown fan service that was Spider-Verse as an event. I believe the main reason for how poorly Spider-Verse turned out is that everyone at Marvel wanted to top the wow factor that they had achieved with Superior. They came out firing from all cylinders, failing to realize that a lot of what they were shooting were blanks.
Some interesting things came out of it (Spider-Gwen... And what else?) sure, but it was so much more trouble than it was worth.
My point is that Slott should've dropped the mic after Superior, which, although still quite divisive, at least can be defended as a well-told story arc bases in semi-traditional narrative structure.
Everything since? Spectacle, and most recently, (ASM vol. 4) tedium.
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