Marv from Frank Miller's "Sin City" is back and this time he is facing his biggest and meanest test up to date.
Marv will be facing off against Jason Voorhees from "Friday the 13th" films.
BATTLE CONDITIONS:
Marv has learned about Jason through finding detailed documents from the Camp Crystal Lake Murders and will have 3 days of Prep Time
and Marv will have access to all of his Weapons and Gadgets featured in the Comics and Film.
Jason Voorhees will be walking out of the woods from Crystal Lake making his way to Sin City for Fresh Kills.
Jason doesn't know that Marv will be waiting for him.
(Frank Miller's "Sin City")
MARV
Marv has an incredible level of strength which, coupled with his well-developed fighting skills, allow him to bring down nearly anyone who challenges him or breaks his personal code of ethics with startling ease. Marv is also fond of long trench coats, and immediately prior to killing someone in possession of such a coat, he often remarks something to the effect of "That's a damn fine coat you're wearing", after which he takes their coat, especially if the one he had was damaged.
He suffers from an unnamed mental condition that causes him to "get confused", which, judging from his own awareness of his illness and the effects it is shown to have, probably involves short-term memory loss and possibly hallucinations. He also fears "turning) into what they always said he was gonna turn into a maniac, a psycho killer." Lucille, his paroleofficer, supplies him with medication (presumably antipsychotics) through her girlfriend Claire to control these effects of his condition. Claire, a psychiatrist, once tried to analyze him, but he claims she got "too scared."
Marv has convinced himself that he doesn't have a particularly high intellect, but he shows a surprising amount of intelligence when needed, noticeably an ability to logically deduce confusing and complex events quite accurately, and his skills in combat also imply a degree of intelligence from a strategic viewpoint. However, in most situations he just smashes his way through conflicts, such as kicking down a door and sending police flying, or charging a squad of heavily armed cops whilst only armed with a hatchet.
Marv has a well-developed skill and a strong appetite for torture. He never blinks or seems to think twice about inflicting the slowest, most creative and painful death he can possibly implement on his worst enemies. He speaks in a soft, plain-spoken, and calm manner, almost bordering on the nonchalant, showing no sign of hesitation or fear, even while committing gruesome killings. He admits in The Hard Goodbye that he never feels bad about killing hired hitmen, though he may show some small measure of mercy when extracting information from them. He also shows little to no fear in dangerous situations, even when heavily outnumbered, and faces them with a dry laconic wit. In The Hard Goodbye, instead of panicking when cornered by several members of the SWAT team, upon being asked to open the door, he very calmly states "I'll be right out.", before successfully fighting his way out of the building.
While Marv has no compunction about maiming and killing anyone he feels has wronged him or those close to him, even he has his limits. He is deeply afraid of winding up as "a maniac [or] a psycho killer" (as mentioned previously). He will only kill someone if, as Marv himself puts it, "I know for sure I ought to", making it a point to avoid unnecessarily hurting or killing those who have not earned it in his eyes. A perfect example of this was when he knocks out Wendy rather than let her watch him dismember Kevin, since he believed Wendy witnessing Kevin's dismemberment would cause her a lifetime of nightmares, and would therefore be unnecessarily hurting her. He also adheres unrelentingly to his own personal code of honor, which dictates the repayment of debts and chivalry towards women, stating that "it really gets my goat when guys rough up dames,". He also highly values kindness, often going out of his way to repay kindness shown to him. As such, anyone whom he considers a friend and/or has shown him kindness, he will defend until he is no longer capable, or he feels the debt has been repaid, whichever comes first. Marv is shown to have a platonic relationship with Nancy, being a sort of guardian angel to her, especially after an incident in which "some Frat boyfriend of hers roughed her up". And another platonic relationship with his social worker, Lucille, who is a lesbian. Both Nancy and Lucille clearly adore Marv and do what they can to help him. He also has a soft spot for children, suggested when he rescues a little girl from pimps in Silent Night, as well as for animals, as shown when he knocks out, rather than kills, Kevin's wolf, which he only does as a matter of necessity to maintain the element of surprise, since Kevin's wolf had otherwise done nothing wrong to him. Throughout the story, Marv often shows a good-natured, humorous side, unresentful of even the worst fate throws at him and often showing a wry sense of humor at the absurdity of his situations.
VS
("Friday the 13th")
JASON VOORHEES
In his original appearance, Jason was scripted as a mentally disabled young boy. Since Friday the 13th, Jason Voorhees has been depicted as a non-verbal, indestructible, machete-wielding mass murderer. Jason is primarily portrayed as being completely silent throughout the film series. Exceptions to this include flashbacks of Jason as a child, and a brief scene in Jason Takes Manhattan where the character cries out "Mommy, please don't let me drown!" in a child's voice before being submerged in toxic waste, and in Jason Goes To Hell where his spirit possesses other individuals. Online magazine Salon's Andrew O'Hehir describes Jason as a "silent, expressionless ... blank slate." When discussing Jason psychologically, Sean S. Cunningham said, "... he doesn't have any personality. He's like a great white shark. You can't really defeat him. All you can hope for is to survive." Since Friday the 13th Part VI: Jason Lives, Jason has been a "virtually indestructible" being. Tom McLoughlin, the film's director, felt it was silly that Jason had previously been just another guy in a mask, who would kill people left and right, but get "beaten up and knocked down by the heroine at the end." McLoughlin wanted Jason to be more of a "formidable, unstoppable monster." In resurrecting Jason from the dead, McLoughlin also gave him the weakness of being rendered helpless if trapped beneath the waters of Crystal Lake; inspired by vampire lore, McLoughlin decided that Jason had in fact drowned as a child, and that returning him to his original resting place would immobilize him. This weakness would be presented again in The New Blood, and the idea that Jason had drowned as a child was taken up by director Rob Hedden as a plot element in Jason Takes Manhattan.
Many have given suggestions as Jason's motivation for killing. Ken Kirzinger refers to Jason as a "psychotic mama's boy gone horribly awry ... Very resilient. You can't kill him, but he feels pain, just not like everyone else." Kirzinger goes on to say that Jason is a "psycho-savant", and believes his actions are based on pleasing his mother, and not anything personal. Andrew O'Hehir has stated, "Coursing hormones act, of course, as smelling salts to prudish Jason, that ever-vigilant enforcer of William Bennett-style values." Todd Farmer, writer for Jason X, wrote the scene where Jason wakes from cryonic hibernation just as two of the teenagers are having sex. Farmer liked the idea that sex acts triggered Jason back to life. Whatever his motivations, Kane Hodder believes there is a limit to what he will do. According to Hodder, Jason might violently murder any person he comes across, but when Jason Takes Manhattan called for Hodder to kick the lead character's dog, Hodder refused, stating that, while Jason has no qualms against killing humans, he is not bad enough to hurt animals. Likewise, director Tom McLoughlin chose not to have Jason harm any of the children he encounters in Jason Lives, stating that Jason would not kill a child, out of a sympathy for the plight of children generated by his own death as a child.
In an early draft of Freddy vs. Jason, it was decided that one of the villains needed a redeemable factor. Ronald D. Moore, co-writer of the first draft, explained that Jason was the easiest to make redeemable, because no one had previously ventured into the psychology surrounding the character. Moore saw the character as a "blank slate", and felt he was a character the audience could really root for. Another draft, penned by Mark Protosevich, followed Moore's idea of Jason having a redeemable quality. In the draft, Jason protects a pregnant teenager named Rachel Daniels. Protosevich explained, "It gets into this whole idea of there being two kinds of monsters. Freddy is a figure of actual pure evil and Jason is more like a figure of vengeance who punishes people he feels do not deserve to live. Ultimately, the two of them clash and Jason becomes an honorable monster." Writers Damian Shannon and Mark Swift, who wrote the final draft of the film, disagreed about making Jason a hero, although they drew comparisons between the fact that Freddy was a victimizer and Jason was a victim. They stated, "We did not want to make Jason any less scary. He's still a brutal killer ... We never wanted to put them in a situation where Jason is a hero ... They're both villains to be equally feared." Brenna O'Brien, co-founder of Fridaythe13thfilms.com, saw the character as having sympathetic qualities. She stated, "[Jason] was a deformed child who almost drowned and then spent the rest of his childhood growing up alone in the woods. He saw his mother get murdered by a camp counselor in the first Friday the 13th, and so now he exacts his revenge on anyone who returns to Camp Crystal Lake. Teenage fans can identify with that sense of rejection and isolation, which you can't really get from other killers like Freddy Krueger and Michael Myers."
As Jason went through some characterization changes in the 2009 film, Derek Mears likens him more to a combination of John Rambo, Tarzan, and the Abominable Snowman from Looney Tunes. To him, this Jason is similar to Rambo because he sets up the other characters to fall into his traps. Like Rambo, he is more calculated because he feels that he has been wronged and he is fighting back; he is meant to be more sympathetic in this film. Fuller and Form contend that they did not want to make Jason too sympathetic to the audience. As Brad Fuller explains, "We do not want him to be sympathetic. Jason is not a comedic character, he is not sympathetic. He's a killing machine. Plain and simple."
California State University's Media Psychology Lab surveyed 1,166 people Americans aged from 16 to 91 on the psychological appeal of movie monsters. Many of the characteristics associated with Jason Voorhees were appealing to the participants. In the survey, Jason was considered to be an "unstoppable killing machine." Participants were impressed by the "cornucopic feats of slicing and dicing a seemingly endless number of adolescents and the occasional adult." Out of the ten monsters used in the survey—which included vampires, Freddy Krueger, Frankenstein's monster, Michael Myers, Godzilla, Chucky, Hannibal Lecter, King Kong, and the Alien—Jason scored the highest in all the categories involving killing variables. Further characteristics that appealed to the participants included Jason's "immortality, his apparent enjoyment of killing [and] his superhuman strength.
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