Hey everybody, I haven't done anything on here for a while because I moved back to Michigan from NYC and I'm preparing all of my grad school stuff for the application deadline to MSU on December 15th. However, I did re-meet Marvel Exclusive artist Ryan Stegman at Detroit Fanfare about a month ago and I got the chance to interview him at his home about She-Hulks, his previous projects, and how he broke in to the industry. You can read it here at my official blog I Speak Comics. Here's an excerpt from the interview, enjoy!
Hey, so as you may or may not know, Marvel Exclusive artist Ryan Stegman’s new book She-Hulks #1 came out two weeks ago. Seeing as we’re both Michiganders I decided to check in with him about She-Hulks and basically perform a scattershot interview. Think of this as an “Everything you wanted to know about Ryan Stegman,” sort of thing.
The setting: Ryan and I are sitting in his basement which doubles as his studio. Rather, one end is his studio, which has a ton of art supplies, computers, comics, and the original art for She-Hulks #1 and 2 scattered about. On the other side of this partially subterranean habitat (it’s a walkout basement) there’s a comfy couch and two chairs for television viewing and a DLP TV mounted to the ceiling. The Art of the Princess and the Frog lays forlorn, but not forgotten, on the coffee table and there’s cat hair everywhere.
You’re Ryan Stegman, what do you do? Who are you?
I draw comic books for Marvel Comics. She-Hulks #1 comes out today. I’ve drawn Sif, Red She-Hulk, Hercules, some Marvel Adventures Spider-Man, Magician: Apprentice, and Midnight Kiss from Markosia before that.
She-Hulks #1 came out today as you said, and you’re drawing it with?
Harrison Wilcox is the writer and this is his first big series. He did the Red She-Hulk backups with me, Michael Babinski is inking it, and the colorist is GURU eFX.
What do you like most about drawing She-Hulk?
Basically everything. I like drawing female characters and this is two female characters, so that’s nice. I like to draw things that are pleasing.
But not prurient?
No, very prurient (Laughs).
So when did you start drawing comics?
Well when I was 15 I got my first comic. That’s when I said, “Hey, I wanna draw comic books.” I always drew, but I could never figure out what I wanted to do with it. I thought I wanted to be a Disney animator or something but I picked up an issue of Spawn and I looked at it and I was like, “Oh my god, I could do that someday.” And then I just told my parents and made that my life’s goal and pursued it.
So you started at 15?
I didn’t start pursuing it right then, I did draw. I did buy all the books I had heard you were supposed to read like Burne Hogarth’s anatomy book and George Bridgeman’s stuff. I would read all these books about perspective and about all these other things you needed to know to draw, and I tried to study storytelling, but I really wasn’t’ doing as much drawing of comic books as much as I would have liked. I did maybe 3 pages a year. Then I went to college and got a degree in something completely unrelated and then got out and still had been telling everyone that I would be a comic book artist so I had to cash in on the deal.
After you graduated college, with an English major from MSU no less, you were still intent on being a comic book artist?
I mean I think I was just so sure of it and I told everyone and everybody knew that’s what I said I was gonna do. I think it was a good thing because when it came time I was like, “Oh my god, I have to do this otherwise I have no identity.” My identity was completely tied up in it.
But everything worked out and now you’re a comic book artist! So after all that, what was the first thing that you got published?
Supposedly something was published when I was 15 or 16 but I never saw it. I told the guy, “Hey if you didn’t’ really publish this you can tell me,” and he said, “no I did I’ll send it to you” but he never did. I don’t think it came out.
So that may or may not exist, what was next?
The first thing after that would have been Midnight Kiss, which was the series I did for AP Comics, which was bought up by Markosia. It was a 5 issue series and it took me forever to do it. 5 issues to me now, that would take me a little over 5 months, but that took me about 2 years, a year and a half.
What was your first professional drawing gig like? Did you love it? Hate it?
It was more like, I just did it. I don’t really remember it seeming horrible or anything, but looking back on the amount of hours I had to put into it and the way my life was so structured around it… It completely dominated my life and it was a pretty terrible time, but I didn’t know it.
In retrospect it may not have been the best of times but…
I felt like I was doing it! I’m not embarrassed of the series, I still think it’s pretty good, but just knowing the amount of money I made off of it which was hardly anything… If you take the amount of money I made and divided it by the number of hours I put into it, I was probably making $2 an hour or something. I may as well have been working in a sweatshop, but I just didn’t care.
Be sure to check out the rest of the interview over at my blog, I Speak Comics.
You can follow Ryan on Twitter here - http://twitter.com/ryanstegman
You can check out his DeviantArt here - http://ryanstegman.deviantart.com
He even has a blog! - http://ryanstegmanart.blogspot.com/
And finally, be sure to purchase some of his original artwork over at http://www.cadencecomicart.com/
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