Great article, Sara.
I think that the subject of politics in comics covers the same ground as politics in any form of art, be it painting, photography, music, sculpture or film. Art is expression and politics, whether it be governmental, societal or personal is a means of expression. We express our opinion and we express how we want to live and that feeling and practice is very close to the creation of art itself so I think that it is entirely logical that art should be the most readily available medium to express political view points.
As to whether it alienates readers all depends, as previously mentioned, on how the political ideal is communicated.
As you say in the article and as Alan Moore says himself, to just present your own political agenda in a story insults the reader and does not an interesting tale make. Same as with any art. Look at Guernica by Picasso. Listen to anything by Rage Against The Machine or Fugazi. Read Animal Farm by George Orwell. All of these types of political expression are also great examples of their art. I can enjoy Animal Farm as a brilliantly written book whilst jumping round the house head banging like a loon to Rage Against The Machine whilst staring in appreciation at a photo of Guernica. I can enjoy those things on a level of art for arts sake, but if I am so inclined, I can also take from these works far more and indulge my political, my reasoning mind as well as my creative one.
As you state with V For Vendetta, it can be enjoyed as simply a great story. Yet if you want to delve deeper, there is a whole other world lurking beneath the surface. I think that all great art leads you to other art; it expands your horizons. Politics in comics doesn’t exclusively have to involve government but can also involve a spiritual politic, an emotional, societal, financial politic. Rebellion is the spirit of politics and what are superheroes but rebels?
When done correctly, with thought and passion, a story is capable of carrying any depth of sub-text whilst still being entertaining.
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