animehunter's forum posts

#1 Edited by animehunter (1818 posts) - - Show Bio
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#2 Edited by animehunter (1818 posts) - - Show Bio

Before I forget Superior Spider-Man #32 is out Wed, August 6th, 2014

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Preview: Miles Morales: Ultimate Spider-Man #4 - OUT Wed, August 6th, 2014

THE SPIDER-MAN STORY EVERYONE IS TALKING ABOUT!!! SPIDEY VS SPIDEY! What more do you need?

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Preview: Superior Foes of Spider-Man #14 - OUT Wed, August 6th, 2014

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#3 Edited by animehunter (1818 posts) - - Show Bio

SUPERIOR SPIDER-MAN Returns to Kick-Off EDGE OF SPIDER-VERSE

SUPERIOR SPIDER-MAN #32

DAN SLOTT & CHRISTOS GAGE (W)

GIUSEPPE CAMUNCOLI & ADAM KUBERT (A)

Cover by GIUSEPPE CAMUNCOLI

INTERLOCKING VARIANT A by SKOTTIE YOUNG

SUPERIOR SPIDER-MAN KICKS OFF THE EDGE OF SPIDER-VERSE!

• Extra-sized monumental issue, including a story drawn by living legend ADAM KUBERT (ORIGIN 2, AVX)!

• How is the Superior Spider-Man still around? Where is he? What is he doing? The road to SPIDER-VERSE STARTS HERE!

40 PGS./Rated T …$4.99

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#4 Edited by animehunter (1818 posts) - - Show Bio

@punyparker said:

I think she is.She has never moved on from him,and if she pretends that she has,she just fools herself.

If he would ask her out(or something) she'd be down on his feet in no time....

@animehunter

That's what usually happens, but this time,, I'm not so sure

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#5 Posted by animehunter (1818 posts) - - Show Bio

@bezza said:

..Can I just take a straw poll..

who on here actually likes the ASM by Slott, so far......? I just need to be reassured that I am not the only one, as I feel alone in the world. Cheers

The story can be considered good.

The execution(writing) is terrible,which ruins it......for everyone.

I think you like it,because you haven't experienced much Spider-Man in the last decade.

What @punyparker said

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#6 Posted by animehunter (1818 posts) - - Show Bio

First Look: Marvel's EDGE OF SPIDER-VERSE Greg Land Variants

EDGE OF SPIDER-VERSE #1 (of 5)

http://i.newsarama.com/images/i/000/133/251/original/EDGEOFSV001covVAR_100.jpg

David Hine with Fabrice Sapolsky (W)

RICHARD ISANOVE (A/C)

VARIANT COVER BY Greg Land SPIDER-MAN NOIR RETURNS!

• The Peter Parker of the 1930’s finds himself not only up against Mysterio, but knee-deep in the Spider-Man event of 2014!

32 PGS./Rated T+ …$3.99

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EDGE OF SPIDER-VERSE #2 (Of 5)

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JASON LATOUR (W)

ROBBI RODRIGUEZ (A/C)

VARIANT COVER BY Greg Land GWEN STACY: SPIDER-WOMAN!

• In one universe, it wasn’t Peter Parker bitten by the radioactive Spider, but Gwen Stacy!

• She’s smart, charming and can lift a car-- Just don’t tell her Police Chief father!

• How is she involved in Spider-Verse? Seeds of AMAZING SPIDER-MAN #9 are planted here!

32 PGS./Rated T+ …$3.99

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EDGE OF SPIDER-VERSE #3 (Of 5)

http://i.newsarama.com/images/i/000/133/253/original/EDGESV2014004covVAR_100.jpg

DUSTIN WEAVER (W)

DUSTIN WEAVER (A/C)

VARIANT COVER BY Greg Land • What is the secret of Dr. Aaron Aikman, Spider-Man?!

• Who are the villainous Red Eye and Naahmurah? And can Aaron possibly live through Morlun’s arrival?

• Rising star Dustin Weaver (AVENGERS, INFINITY, SHIELD) makes his Marvel Comics writing debut in the most wildly imaginative story of the year!

32 PGS./Rated T+ …$3.99

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#7 Posted by animehunter (1818 posts) - - Show Bio

From CBR

SDCC: The Amazingly Superior Dan Slott

A sizable number of attendees decked out in Spider-Man garb gathered early on Thursday morning for the Spotlight on Dan Slott panel, one of the first panels held during this year's Comic-Con International in San Diego. Through his work on titles as diverse as "Amazing Spider-Man," "Superior Spider-Man," "She-Hulk," "Silver Surfer," "Ren & Stimpy," and "Arkham Asylum: Living Hell," Slott has made a name for himself with a diverse resume that gleefully treats continuity as a jumping off point for bold and shocking new story directions. Moderated by Jill Pantozzi, a comic book journalist and longtime friend of Slott's, the panel kicked off with the two bantering playfully about Pantozzi's lack of cosplay.

"When we were talking about me moderating this panel," Pantozzi explained, "Dan said 'I'll give you ten dollars if you cosplay [Silver Surfer companion] Dawn." Pantozzi gathered the correct wig, shoes and leggings, but the real sticking point ended up being the character's red dress with black polka dots. Slott playfully feigned disappointment, showing surprise that a simple dressed tripped up the moderator considering her past feats of cosplay. "She has dressed as stuff from Westeros," exclaimed Slott, "yet somehow can't work dots!"

With the cosplay elephant in the room addressed, the panel began in earnest with Pantozzi asking Slott about what his younger self wanted to be when he grew up. "This," said the writer without hesitation. "This is exactly what I've wanted to do. I always wanted to be a TV writer, and that was before I found comics. Once I found comics, that was all I wanted to do -- and work on Spider-Man."

SDCC: Across the Spider-Verse

Slott eventually got his childhood wish and started a run on "Amazing Spider-Man" back in 2008, but he revealed that his path to the character was far from a clear one. During a Marvel summit, then Editor-in-Chief Joe Quesada asked every writer in attendance which character they most wanted to write -- and Dan noticed he had stiff competition for Spider-Man. "Every single person, Bendis, Greg Pak, everybody around the table goes 'Spider-Man.' And it got to me and I was the last person in the room, and I went, 'Moon Knight.' You could hear the needle on the vinyl. In my mind, writing Spider-Man was an impossibility."

The conversation then turned to one of the writer's earliest works: "Ren & Stimpy." Slott handled the writing duties for the Marvel Comics adaptation of the pioneering Nickelodeon cartoon -- a job that he quickly found out came with plenty of oversight from the television network. "They kept telling us that we didn't understand the characters," remembered Slott, who added that the network attributed the show's success to the fact that the two lead characters were "such good friends."

"At one point I was getting so frustrated over the things that were getting cut that a friend of mine said, 'They always cut twenty percent of your material, so write twenty percent over -- write things that are more extreme, and that gives them their things to cut.' That didn't work because they would cut the same stuff and now the stuff that I didn't want in the book was in there."

Slott then told the audience about his attempt to do an after school special type episode about substance abuse, except the activity abused in "Ren & Stimpy" would be slapping fish against your head. "Ren tells the story of how he was a teenage fish slapper, and the opening thing is a splash page of Ren slapping his head with fish going, 'I can quit whenever I want!' At one point he tries to go cold turkey and he's hitting himself with cold turkey: 'It's not the same!'"

Not every idea the writer has is pure gold, as Slott readily admitted when he started discussing a phenomenon that he calls his "Four In the Morning Ideas." These ideas, which tend to strike Slott during his all-night writing sessions to reach a deadline, don't always stand up to scrutiny once the sun rises. "I'm working on Spider-Man and I get the greatest idea in the whole world. No one has ever done this Spider-Man story before. This would be awesome! I'm full of Twizzlers and coffee, and I'm typing this thing and I type up the idea and I send it to both Tom Brevoort and Steve Wacker at the same time. The note I get from Tom is, 'Don't ever do this story. This is a terrible story. This a four in the morning idea story. Keep working.' The note I get from Steve Wacker is, 'That's great! You should totally do that, how's that plot coming?'"

But what never-to-be-published idea could inspire such differing opinions? "The idea was, Pym Particles are a thing -- what if Spider-Man uses Pym Particles and Spider-Man is giant Spider-Man? And he's punching Fin Fang Foom! Giant Spider-Man boxing Fin Fang Foom in New York! Worst idea ever. That's why you have an editor."

But some of Slott's unused ideas appealed to the audience, particularly one clever story that Slott couldn't get to during his run on "She-Hulk." "Pug, She-Hulk's buddy in the law firm -- you find out his high school science teacher is getting fired because he was teaching Marvel Creationism in the classroom. So he's teaching like, 'Then Odin descended from the World Tree, the Celestials came by and sorted them into Deviants and humans.' He's teaching the real Marvel Universe Handbook history of how everything happened."

While discussing his run on "She-Hulk," Pantozzi praised Slott's nuanced characterization of Jennifer Walters. "You just writer her with feelings we all have. Why aren't you paying attention to me? Why isn’t this going my way? It's universal. There was a point in 'She-Hulk' when I was in a relationship with someone for a couple of years and at one point I used a fight we had in 'She-Hulk,' but the language was changed. People say I write women really well, and yeah, I had to live through that moment."

RELATED: Dan Slott Unveils "Spider-Verse," Featuring "Every Spider-Man Ever"

When the time came for audience members to ask questions, the conversation quickly turned to Slott's recently controversial -- and popular -- run on "Superior Spider-Man." The writer quickly dispelled rumors that all of his big ideas were the result of editorial interference.

"When you think it's an editorial mandate in a Spider-Man comic or almost anything I write -- if you think it's an editorial mandate, it's not. It's me being a complete and utter whore. Guardians of the Galaxy are in 'Silver Surfer' for three pages and they're on the cover: that's me. The Avengers have a movie out and now they're really involved in ['Amazing Spider-Man' story] 'Ends of the Earth.' That's me! I always pitch stuff like that. The editors go, 'Yeah sure, no problem.' So when I pitched 'Superior Spider-Man,' and the whole arc, they wanted to end it earlier... Maybe that's a six-issue story, maybe that's a twelve-issue story. I'm like, 'No, I can keep this going until the movie. I can have this going all the way until the movie, and when the movie comes out, 'Amazing Spider-Man' #1.' That's me; that's not editorial. That was always the plan."

The panel ended with a question from the audience about the ever-changing yet unchanging nature of super hero comics, an aspect of the genre Slott actually sees as a comforting thing. "There's certain ways where the character can't grow or change, and it doesn't have to do with you -- it has to do with the readers that are following you. The next readers who are coming up, the readers who are five now, the people who are going to find comic books next year, they deserve to discover Peter Parker too. People make the argument, 'Just have him grow up and then Joe Schemecky becomes Spider-Man!' No, [the next readers] deserve Peter Parker. They deserve to meet Peter Parker, the amazing Spider-Man, when they hit comics."

"When you have a bad day and you come home and you have a grilled cheese and hot tomato soup, or you want a nice big bowl of mac and cheese, you feel better," said Slott. "Spider-Man, Peter Parker, is our big bowl of mac and cheese."

Stay tuned to CBR News for more on Slott's upcoming projects.

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#8 Posted by animehunter (1818 posts) - - Show Bio

From CBR

SDCC: Hopeless Sends "Spider-Woman" to the Front Lines of "Spider-Verse"

Over the course of her tumultuous life, Spider-Woman (AKA Jessica Drew) has been an agent of HYDRA, an agent of S.H.I.E.L.D., a super hero, a private investigator, and most recently she's worked as both a member of the Avengers and an agent for the extraterrestrial monitoring agency S.W.O.R.D. In other words, she's no stranger to all manner of Marvel Universe conflicts, but this fall she'll be plunged into the middle of a strange, dimension-spanning struggle.

RELATED: Dan Slott Unveils "Spider-Verse," Featuring "Every Spider-Man Ever"

The "Spider-Verse" event, which brings together every version of Spider-Man ever, will thrust Jessica onto the front lines of the story's main clash in a new "Spider-Woman" ongoing series by writer Dennis Hopeless and artist Greg Land announced yesterday at Marvel's "Spider-Verse" panel at Comic-Con International in San Diego. CBR News spoke with Hopeless about the series, its opening storyline that teams Jessica with the mysterious Silk, recently introduced in the relaunched "Amazing Spider-Man" series, and discusses how the "Spider-Verse" tie-in arc will drive the series moving forward.

CBR News: Dennis, it seems like most of your Marvel work so far has been on team books. How does it feel to move to a solo title with "Spider-Woman?" Is it easier or more difficult to really focus on one protagonist?

Dennis Hopeless: I don't know that it's necessarily easier writing a solo series but it's definitely a refreshing change of pace. Team books are a lot of fun because you get to mix and remix several different personality types into all sorts of dramatic situations. It also allows for narrative variety, bouncing back and forth between smaller groups of your cast within a single issue. But at the same time, there's always a lot of juggling and plate spinning to make sure everyone is getting some spotlight time.

I'm really excited to get to focus on a single voice for a while. This will be the first time since "X-Men Season One" that I've had a true lead character who gets to dominate all the caption boxes. I can't wait to really start digging around in Jessica's head.

The "Spider-Woman" ongoing kicks off with a tie-in to "Spider-Verse," which also means it's your first Marvel event tie-in, correct? What's it like launching a book and tying it into such a large-scale event at the same time?

Yeah, this is my first big event.

I think the biggest challenge of launching during an event is trying to make sure the story works on two levels. Jessica is an integral soldier in the war and we'll be seeing important Spider-Verse beats play out in "Spider-Woman." But we also want these first few issues to stand on their own. Jessica Drew fans who may not be as invested in "Spider-Verse" deserve an exciting adventure with its own beginning, middle and end.

That balancing act definitely made the plotting stage a little trickier than usual but I'm really happy how it all came out. These "Spider-Verse" issues are shaping up to be very cool.

SDCC: Lowe & Gage Connect Spider-Men in "Spider-Verse Team-Up"

Let's move to the title character of "Spider-Woman," Jessica Drew. What made writing her solo adventures a compelling assignment for you? What do you find most interesting about her which aspects of her character will you explore across the series?

I've been a fan of the character for a while but I think [Brian Michael] Bendis and [Alex] Maleev's post-"Secret Invasion" series really made me fall in love with Jessica Drew. I like survivors and Jessica has survived plenty. She's been through so much terrifying nonsense in her life but always steps up and takes what's coming next. Complicated and grumpy as she may be sometimes, Jessica's a hero through and through.

I understand one of the major supporting characters in your initial story is one of the newest Spider characters, Silk. What can you tell us about her role in the story? How would you describe the initial dynamic between her and Jessica?

I think ordinarily Jessica would find Silk amusing in an eye-rolling sort of way. Silk has this straight-out-of-the-box infectious enthusiasm for super heroing that makes her easy to love. Unfortunately for both of them, they're meeting in the absolute worst of circumstances. "Spider-Verse" is a big ugly war and Jessica has been tasked with keeping Silk alive. This dynamic makes Silk's bombast and inexperience pretty dangerous. As a world-worn soldier who knows how these things tend to play out, Jessica spends a lot of our story wanting to grab Silk by the ears and shake her.

I know you might have to be a little vague here because plot details about "Spider-Verse" are still largely under wraps, but in terms of plot and themes what is your inaugural arc of "Spider-Woman" about? You referred to "Spider-Verse" as a war story earlier -- does that mean we'll get to see Jessica employ some of her espionage skills in this arc?

Yeah, we're telling a couple of different "mission" stories within the larger "Spider-Verse" war. Issue #1 is a little bit "Saving Private Ryan" with a frustrated Jessica doing everything in her power to keep Silk alive as they jump between crazy alternate universes. Then starting with #2 we'll be trapping Jessica behind enemy lines to try and steal important intel. It's crucial to the overall war effort that these missions succeed so our story will have big repercussions across "Spider-Verse."

What can you tell us about the antagonists of your initial arc? How much danger are Jessica and Silk in during this story?

Well, there's a damned good reason our plot hinges on running and hiding. These villains are bad, bad news. In a straight head to head fight, Jessica and Silk wouldn't last ten minutes.

Artist Greg Land is bringing "Spider-Woman" to life. What do you feel he brings to the book as an artist?

Greg loves drawing powerful female characters kicking ass and it shows. I think Jessica is the perfect character for Greg. That amazing red-and-yellow '70s costume just pops off the page in an old school, 4-color kind of way. At the same time, Jessica doesn't mess around when push comes to shove. She will absolutely beat the teeth out of out of a fool's mouth. I can't wait to see what Greg does with her.

SDCC EXCLUSIVE: Costa Assembles "Scarlet Spiders" for "Spider-Verse"

Let's wrap up by chatting a bit about the status quo of "Spider-Woman" in the wake of "Spider-Verse." What can you tell us about that? Where will Jessica be living post-"Spider-Verse" and what will she be doing with her life? How deep will the book's supporting cast be?

It's tough to say without spoiling because everything in Jessica's life hinges on how this war plays out. She's been through so much apocalyptic crap lately and now she's fighting just to survive. This war and everything that happens in it will very much affect who Spider-Woman is coming out of it. Sorry to be vague but all of this is a big part of our long-term plan and that roulette ball is still rolling.

Fair enough. Finally, what can you tell us about the types of stories and structure you have planned for "Spider-Woman" following "Spider-Verse?" Will we see any specific tone or genera, or will you be playing with story types? And since your last two Marvel books, "Avengers Arena" and "Avengers Undercover," have been long form stories, will "Spider-Woman" also feature a similar larger story told over the course of several arcs?

The coolest thing about Jessica is that she has such a deep, dark history, just about anything goes. She was abducted and replaced by an invading Skrull Queen. She worked for both HYDRA and S.H.I.E.L.D. She's spent time as a private eye, a super hero and a Skrull-hunting Agent of S.W.O.R.D. The sky is pretty much the limit. All she has to do is survive this war.

"Spider-Woman" debuts later this year as part of Marvel's "Spider-Verse" event.

Online
#9 Posted by animehunter (1818 posts) - - Show Bio

From CBR

SDCC: Hopeless Sends "Spider-Woman" to the Front Lines of "Spider-Verse"

Over the course of her tumultuous life, Spider-Woman (AKA Jessica Drew) has been an agent of HYDRA, an agent of S.H.I.E.L.D., a super hero, a private investigator, and most recently she's worked as both a member of the Avengers and an agent for the extraterrestrial monitoring agency S.W.O.R.D. In other words, she's no stranger to all manner of Marvel Universe conflicts, but this fall she'll be plunged into the middle of a strange, dimension-spanning struggle.

RELATED: Dan Slott Unveils "Spider-Verse," Featuring "Every Spider-Man Ever"

The "Spider-Verse" event, which brings together every version of Spider-Man ever, will thrust Jessica onto the front lines of the story's main clash in a new "Spider-Woman" ongoing series by writer Dennis Hopeless and artist Greg Land announced yesterday at Marvel's "Spider-Verse" panel at Comic-Con International in San Diego. CBR News spoke with Hopeless about the series, its opening storyline that teams Jessica with the mysterious Silk, recently introduced in the relaunched "Amazing Spider-Man" series, and discusses how the "Spider-Verse" tie-in arc will drive the series moving forward.

CBR News: Dennis, it seems like most of your Marvel work so far has been on team books. How does it feel to move to a solo title with "Spider-Woman?" Is it easier or more difficult to really focus on one protagonist?

Dennis Hopeless: I don't know that it's necessarily easier writing a solo series but it's definitely a refreshing change of pace. Team books are a lot of fun because you get to mix and remix several different personality types into all sorts of dramatic situations. It also allows for narrative variety, bouncing back and forth between smaller groups of your cast within a single issue. But at the same time, there's always a lot of juggling and plate spinning to make sure everyone is getting some spotlight time.

I'm really excited to get to focus on a single voice for a while. This will be the first time since "X-Men Season One" that I've had a true lead character who gets to dominate all the caption boxes. I can't wait to really start digging around in Jessica's head.

The "Spider-Woman" ongoing kicks off with a tie-in to "Spider-Verse," which also means it's your first Marvel event tie-in, correct? What's it like launching a book and tying it into such a large-scale event at the same time?

Yeah, this is my first big event.

I think the biggest challenge of launching during an event is trying to make sure the story works on two levels. Jessica is an integral soldier in the war and we'll be seeing important Spider-Verse beats play out in "Spider-Woman." But we also want these first few issues to stand on their own. Jessica Drew fans who may not be as invested in "Spider-Verse" deserve an exciting adventure with its own beginning, middle and end.

That balancing act definitely made the plotting stage a little trickier than usual but I'm really happy how it all came out. These "Spider-Verse" issues are shaping up to be very cool.

SDCC: Lowe & Gage Connect Spider-Men in "Spider-Verse Team-Up"

Let's move to the title character of "Spider-Woman," Jessica Drew. What made writing her solo adventures a compelling assignment for you? What do you find most interesting about her which aspects of her character will you explore across the series?

I've been a fan of the character for a while but I think [Brian Michael] Bendis and [Alex] Maleev's post-"Secret Invasion" series really made me fall in love with Jessica Drew. I like survivors and Jessica has survived plenty. She's been through so much terrifying nonsense in her life but always steps up and takes what's coming next. Complicated and grumpy as she may be sometimes, Jessica's a hero through and through.

I understand one of the major supporting characters in your initial story is one of the newest Spider characters, Silk. What can you tell us about her role in the story? How would you describe the initial dynamic between her and Jessica?

I think ordinarily Jessica would find Silk amusing in an eye-rolling sort of way. Silk has this straight-out-of-the-box infectious enthusiasm for super heroing that makes her easy to love. Unfortunately for both of them, they're meeting in the absolute worst of circumstances. "Spider-Verse" is a big ugly war and Jessica has been tasked with keeping Silk alive. This dynamic makes Silk's bombast and inexperience pretty dangerous. As a world-worn soldier who knows how these things tend to play out, Jessica spends a lot of our story wanting to grab Silk by the ears and shake her.

I know you might have to be a little vague here because plot details about "Spider-Verse" are still largely under wraps, but in terms of plot and themes what is your inaugural arc of "Spider-Woman" about? You referred to "Spider-Verse" as a war story earlier -- does that mean we'll get to see Jessica employ some of her espionage skills in this arc?

Yeah, we're telling a couple of different "mission" stories within the larger "Spider-Verse" war. Issue #1 is a little bit "Saving Private Ryan" with a frustrated Jessica doing everything in her power to keep Silk alive as they jump between crazy alternate universes. Then starting with #2 we'll be trapping Jessica behind enemy lines to try and steal important intel. It's crucial to the overall war effort that these missions succeed so our story will have big repercussions across "Spider-Verse."

What can you tell us about the antagonists of your initial arc? How much danger are Jessica and Silk in during this story?

Well, there's a damned good reason our plot hinges on running and hiding. These villains are bad, bad news. In a straight head to head fight, Jessica and Silk wouldn't last ten minutes.

Artist Greg Land is bringing "Spider-Woman" to life. What do you feel he brings to the book as an artist?

Greg loves drawing powerful female characters kicking ass and it shows. I think Jessica is the perfect character for Greg. That amazing red-and-yellow '70s costume just pops off the page in an old school, 4-color kind of way. At the same time, Jessica doesn't mess around when push comes to shove. She will absolutely beat the teeth out of out of a fool's mouth. I can't wait to see what Greg does with her.

SDCC EXCLUSIVE: Costa Assembles "Scarlet Spiders" for "Spider-Verse"

Let's wrap up by chatting a bit about the status quo of "Spider-Woman" in the wake of "Spider-Verse." What can you tell us about that? Where will Jessica be living post-"Spider-Verse" and what will she be doing with her life? How deep will the book's supporting cast be?

It's tough to say without spoiling because everything in Jessica's life hinges on how this war plays out. She's been through so much apocalyptic crap lately and now she's fighting just to survive. This war and everything that happens in it will very much affect who Spider-Woman is coming out of it. Sorry to be vague but all of this is a big part of our long-term plan and that roulette ball is still rolling.

Fair enough. Finally, what can you tell us about the types of stories and structure you have planned for "Spider-Woman" following "Spider-Verse?" Will we see any specific tone or genera, or will you be playing with story types? And since your last two Marvel books, "Avengers Arena" and "Avengers Undercover," have been long form stories, will "Spider-Woman" also feature a similar larger story told over the course of several arcs?

The coolest thing about Jessica is that she has such a deep, dark history, just about anything goes. She was abducted and replaced by an invading Skrull Queen. She worked for both HYDRA and S.H.I.E.L.D. She's spent time as a private eye, a super hero and a Skrull-hunting Agent of S.W.O.R.D. The sky is pretty much the limit. All she has to do is survive this war.

"Spider-Woman" debuts later this year as part of Marvel's "Spider-Verse" event.

Online
#10 Edited by animehunter (1818 posts) - - Show Bio

A bit of info on Silk, nothing that we didn't already know or suspected.

From Newsarama

SDCC 2014: Marvel - Next Big Thing Panel WEAPON X, S.H.I.E.L.D. Series Announced, More

Q: Any chances of Silk from Amazing Spider-Man getting a series?

Lowe: We just announced Spider-Woman this morning, and Silk is in that!

Slott: "Yeah, Silk is a new character that we revealed was also bit by the same spider that bit Peter, but Ezekiel hid her away. As soon as Spider-Man revealed her existence, that's what set Morlun off on his quest to kill the Spiders."

Q:For Dan Slott, is it hard finding a balance and "dancing in the rain drops" of the past in Amazing Spider-Man: Learning to Crawl?

Slott: "It's not a thing that's hard, it's a thing that they have to pull me off of and stop me from doing. I love doing that stuff."

Q: Long plans for Silk?

Slott: "Long, serious plans for Silk, and you will see her in the Spider-Verse."

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