
This years "Blankets." If you're a parent or have ever contemplated becoming one, this book will grab you and never let go. Poetic, moving and uplifting. There's no award this book doesn't deserve to win. Find it, buy it, give it to everyone you know. - Columnist Jud Meyers

In a year where lackluster event books dominated the comic racks, this is one event that actually delivered. From “Armageddon” to “Revelations” to “Number of the Beast,” it all built up to one thing – the end of the world and the tales of the survivors as told each month in “Wildcats,” “The Authority,” “Gen 13” and “Stormwatch.” - Contributing Writer Justin Eger

Two of the best writers in the business plus some of the best (and fastest) artists at DC equals a great read each week. And considering that we’re only halfway through the book, there can only be more exciting things to come. - Contributing Writer Justin Eger

The first six issues were pure 100% fun. A very guilty pleasure that returns the Hulk to his roots as Marvel’s heavyweight brawler. - Columnist George Khoury

This is a book akin to Spider-Man in his early days under the pen and pencil of Stan Lee and Steve Ditko. Written by Giffen and Rogers, then Rogers alone, followed by Sturges with a fill-in from Pfeiffer in between, this book and character was inspirational for a number of fans and creators. Rafael Alburquerque is an under-rated talent who provided creative mortar for this title throughout 2008. - Reviewer Doug Zawisza

Sure, only one or two issues came out this year, but they’ve been fun reads each time. It’s moody, it’s gritty, it’s nice to look at and it might just be a little bit insane. All told, it was the definitive Bat-book for me this year. - Contributing Writer Justin Eger

J. Torres and Tim Levins had a great title here that was under-promoted and under-developed by DC Comics. The story featured the adventures of a super-powered family following the super-powered legacy of their forefathers (and mothers). This title was launched under the Johnny DC banner, and as such was criminally under-ordered to the point where the original six-issue story was halved. In a world without "The Incredibles" comics, this one had phenomenal potential, but was never given a fair chance to grow. - Reviewer Doug Zawisza

Azuma's autobiographical tales of becoming a homeless man (twice!) as well as going through rehab for alcohol is one of the most fascinating stories you'll read this year; not only for everything Azuma goes through in order to survive, but what it says about the Japanese comics industry in general. - Reviewer Greg McElhatton

"Ganges" #2 has two stories. The first, a look at the life of video game characters from their perspective, is an audacious and challenging work, but I honestly enjoyed the second story more, which is a more typical Huizenga work - a slice of life Glenn Ganges tale. Huizenga’s storytelling is excellent in the second story, a tale of co-workers dealing with the dot.com bubble bursting through a shared video game experience. - Brian Cronin, Blog Manager - Comics Should Be Good
Huizenga's everyman character of Glenn Ganges gets his own titular miniseries from Fantagraphics, in a beautiful, oversized edition to boot. Huizenga's stories range from reinterpreted folk tales, to deeply personal revelations, and usually some sort of mix between the two. Absolutely not to be missed. - Reviewer Greg McElhatton

With it's gritty mix of pulp adventure, street crime and super heroics, "Daredevil" continues to be a unique and highly enjoyable series. The “Cruel and Unusual” arc where regular series writer Brubaker teamed with his “Gotham Central” collaborator Greg Rucka was especially compelling. - Staff Writer Dave Richards

Peter Tomasi and Doug Mahnke just get it. Flat out, this is the best single story to come out from DC in quite some time. A shame it was the requiem of Martian Manhunter. If "Final Crisis" gives us nothing else (which looks likely to me) it gave us a shining story from Tomasi and Mahnke. - Reviewer Doug Zawisza

“Who do you trust?” became the mantra for the summer and the book was by far the best event comic of the year. With a shocking ending that really does live up to “it will change the way you look at the Marvel Universe forever,” brilliant marketing and great art by Yu, Bendis really did prove himself this year to be the true mastermind behind the “House Of Ideas.” - Staff Writer Jami Philbrick

Set 100 years after the “Big Wet,” Antony Johnston’s post apocalyptic world of "Wasteland" is equal parts "Battlestar Galactica" and "Mad Max," where every day is a struggle for the refugees from Providence. Mitten does an amazing job on art duties, and the covers from Templesmith capture the feel and scope of Johnston’s ever-unfolding tale. This book is truly unique and deserves to be talked about in the same conversation with titles like "The Walking Dead" and "Y: The Last Man." - Contributing Writer Brian LeTendre

In the tale of Matty Roth, Brian Wood has written a story that is sometimes a voice for his rage towards the Bush administration, a plaintive sigh towards the Iraqi government, but is at its best, "DMZ" is an unsparing look at how war is conducted today, at the depths of human behavior, and is an important voice that should not be ignored. - Contributing Writer Alex Deuben

One of the better series spinning out of “Final Crisis,” Pérez’s artwork is better than ever and Johns’ depiction of Superboy-Prime as an annoying, self-absorbed super-brat is pitch-perfect. With the teaming up of three different Legions of Super-Heroes from throughout continuity and the return of Sodam Yat, the conclusion of this miniseries is something no fan will want to miss. - Staff Writer Jami Philbreck
I defy anyone to come up with a better pitch than Superboy-Prime going one-thousand years into the future to murder every member of all three Legions of Super-Heroes in the most horribly violent ways imaginable, as depicted by the preeminent superhero artist of the age, George Pérez. Talk about "meta." - Staff Writer Andy Khouri

There is rarely anything more exciting than watching a young cartoonist drop a massively ambitious and engaging effort on the masses, and this year we got two such comics from Dash Shaw. But while the 25-year-old's surreal sci-fi webcomic "Body World" continues to work itself out on a daily basis, Shaw's mammoth 720-page graphic novel "Bottomless Belly Button" proved he can deliver an emotional family epic capable of connecting with a broad section of readers while retaining his cartooning idiosyncrasies, from wildly expressive lettering to detailed, graphed layouts. The emotional highs and lows the Loony children experience in the wake of their parents announcing a divorce after 40 years of marriage strike hard and leave a mark in the best way possible. - Staff Writer Kiel Phegley

The collective of Ennis and Robertson give a giant one-fingered salute to all the superhero event books on the shelves with this series. I don't know if they've managed to out-Preacher "Preacher," but they have managed to outthink most comics out there geared to the spandex set. It's the most fun you can have without a waterslide! - Staff Writer George A. Tramountanas

A flight attendant afraid of heights travels to a land that does not exist to rescue a man whose identity is constantly in flux. And then things get strange. Utterly brilliant. - Staff Writer Shaun Manning

Like the mighty groundhog, creator Doug TenNapel appears but once a year. Fortunately for us, he brings a graphic novel creation instead of news about the weather. Like his other works, "Monster Zoo" has a playful yet serious tone in both its art and story. In his most accessible work yet, TenNapel makes you think and feel in this nightmarish trip to the zoo. - Staff Writer George A. Tramountanas

In the Hellboy titles, “The Chapel of Molloch,” “The Crooked Man” and “The Wild Hunt,” Mignola and his artistic collaborators told past and present days tales of one of the most fascinating and original characters in comics. And over in the BPRD books like “The Warning,” “The Ectoplasmic Man,” “1946” and “War on Frogs,” writers Mignola, Acurdi and and Dysart along with a team of highly talented artists again showcased more exciting and horrific supernatural tales packed with intriguing characters. - Staff Writer Dave Richards
http://www.comicbookresources.com/?page=article&id=19345