last edited by MattieWashburn on 10/14/21 10:14AM View full history

    Dark portents cast troubled shadows through the seventh installment of Daniel Abraham's adaptation of George R. R. Martin's bestselling epic fantasy A Game of Thrones . High atop the Wall, in an unforgiving world of wind and ice, the bastard Jon Snow and the dwarf Tyrion Lannister, by rights mortal enemies, forge an unlikely friendship. In King's Landing, Arya Stark, embittered by the loss of her direwolf, gains an unusual dancing master-Syrio Forel, formerly First Sword of the Sealord of Braavos. While in Winterfell, young Brandon Stark, who will never walk again, learns that he may yet ride . . . and perhaps even fly.

    Tyrion Lannister travels from the Wall to Winterfell, where Bran Stark is struggling to remember why he fell. Meanwhile, in King's Landing, Eddard Stark tries to satiate his bickering daughters.

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    Gazing the Wall 0

    Daniel Abraham continues to marvel me with his adaptation of George R. R. Martin's "A Song of Ice and Fire - Game of Thrones", creating a solid foundation of the characters and even when he changes minor details, like in the dialogue with Eddard Stark and his daughter Arya, he preserves the core, the essence of the characters. This issue is very important because it helps to sell Tyrion's image as a benefactor, as oppose to a person that only thinks of himself, not exactly an altruist, but a per...

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