1) Average of three retcons per issue really gets on the nerves of older fans.
2) He replaced Wally West and Kyle Raynor, interesting characters that modern comic fans know and love, with Barry Allen and Hal Jordan, two nigh personalityless cardboard cut outs that most comic fans don't care about because most of us got into comics in the last thirty years and besides, the silver age was campy as hell.
3) In replacing modern characters with silver age ones, Johns ends up replacing a lot of non white characters with white conservative characters from the 60s.
4) Johns is very heavy handed with his stories. He loves the Rogues for example, and wanted to tell a story with Captain Boomerang in it. Problem? Captain Boomerang had been crippled in a storyline about ten years earlier. So Johns told a story where Captain Boomerang was drugged by Joker venom, which healed him. Then, Boomerang died in Identity Crisis, so Johns took Boomerang's son and made him the new Captain Boomerang. Then, the Outsiders writer decided that Captain Boomerang should be a hero and made it so. So Geoff Johns wrote a big crossover event called Blackest Night where he had the younger Captain Boomerang murder women and children as a big eff you to the Outsiders writer before killing him off and resurrecting the original Captain Boomerang. Yes, an entire crossover event so that Johns could get a guy that throws boomerangs to fight the Flash. Subtly is not his strong suit. (See also: Hawk and Dove)
5) Johns thinks every character needs to have daddy issues. The following characters have either seen their parents die or killed family members in Johns stories: Barry Allen, Captain Cold, Weather Wizard, Mirror Master, Captain Boomerang, Zoom and Pied Piper. That's just in Flash! He killed off Green Lantern's father about thirty times in flashback in GL, Stargirl's dad in JSA and Superman's dad in Action Comics.
6) Johns storylines are very predictable. You know how generally, a story starts in the middle, then things start to get bad, then the hero comes up with a plan or does something useful and then oh no the big bad guy has something up his sleeve and at the end, the hero triumphs? For Johns, he has these moments but they always happen in the exact same order at the exact same time during the story. For instance, near the end of Blackest Night, Johns gave a bunch of random characters GL rings so that at the end of the issue, you could be like "YEAH!" But what did that really do from an in universe perspective? Freaking nothing. Having six more lanterns to battle the black lanterns with maybe saved a dozen nameless bystanders. It was pointlessly there to change the mood of the storyline. Most Geoff Johns big event plot points are there just to change the mood of the storyline and don't serve any other purpose and often don't make any sense in context. (None of Brightest Day's plot points make any sense.)
7) Johns' Teen Titans followed Peter David's awesome Young Justice run, which used the same characters. Johns wrote Robin as emo, Superboy as a moron, Wonder Girl as incompetent and Impulse as dead serious, which totally undermined years of great characterization in favor of mediocre stories.
8) Johns did not do the research on the characters during his Avengers run, which lead to similar bad characterization, though people mostly don't care because it was just Jack of Hearts and Ant Man, who weren't nearly as fun or iconic as Superboy, Robin, Wonder Girl and Impulse in the first place.
9) Superboy Prime
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