The Good
After three action-packed issues, it was beginning to feel a little bit like a breather was called for, and apparently Jason Latour agreed as Gwen finally gets a breather and even gets a feel for how the people of New York City ACTUALLY view her. Despite becoming something of an underground symbol for rebellion, opinions still differ on what, exactly this new Spider-Woman is up to and this transitions, quite seamlessly, to what cannot be a comfortable meeting as we see Gwen go to visit the Parkers. You know. The aunt and uncle of that nice boy she accidentally had a hand in the death of (unbeknownst to them) after he turned himself into a lizard monster? That’s the one. Gwen sits down with her not-Uncle Ben and not-Aunt May, and Latour does an absolutely incredible job of writing this scene. It’s a simple one and it takes up a large, large portion of the issue’s real estate, but it’s intense and emotional in all the right ways without devolving into shameless sentimentality or emotional manipulation. Latour gives JUST enough of Gwen’s inner-monologue to let us see what she’s thinking, but not so much that it overwhelms or takes away the punch of the moment.
Robbi Rodriguez’s linework also does a tremendous job of selling this conversation with big, expressive facial features and enough cuts to flashbacks to give the reader plenty of context behind what’s being discussed. His blocking and perspective makes the simple act of these two talking in a dining room even more exciting than the high-rise rescue that the issue opens with, and that’s not to take anything away from that smaller, thrilling moment. Rico Renzi’s colors also do a tremendous job setting the bright, shining tone that this book has become known for, but also tinges just enough shadow and dark to be the slightest bit unsettling.
The Bad
There’s very, very little to not like in this issue. While some may find it a little eye-rolling that almost every character Gwen encounters is “someone,” meaning a pre-existing character derived from the 616 universe, there’s also a certain appeal to that. The way this issue handles it especially is more like a wink and a nod.
The Verdict
Marvel had an unexpected hit on their hands with Spider-Woman when she made her debut in Edge of Spider-Verse and they’re handling it about as well as they possibly could. These creators are putting out one of the best alternate-universe books in the last twenty years, and they’re reaping the benefits with strong sales and amazing word-of-mouth. As this first story arc begins to wrap up, things are showing little-to-no sign of slowing down.
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