@veshark: Let me guess, Tower of Babel? I'll admit, the humanisation can sometimes go too far but Waid had an expert handle on the DC characterisation process. The stories were always engaging and handled exactly how the characters should react. I don't see the problem of making the League too human when, at the end of the day, it's their humanity that makes them the heroes they are. And Waid is one of the best writers to identify that.
Ehh, Tower of Babel was a small part of it. This arc was probably my favorite of Waid's tenure. But see, my take is: It's perfectly fine to write fully-fleshed and human heroes. That has its own merit and Waid is one of the leading lights in this regard. But what just didn't jive with me was that he did it while writing Justice League of America.
Under Morrison's pen, the League had its clashes, but the character interactions were not the focus of the title. The focus of the title was on big-scope and ambitious superhero plots starring the most-professional veteran heroes of the DCU (Um, sans Kyle). When I read the JLA, I don't want to read about its members having disagreements that take up the whole plot. I don't mind seeing those types of character interactions in their own books. But in the JLA? I don't care for that at all.
What I want in the JLA is what Morrison did. There's a threat, the whole world is in danger, and then the JL comes in and solves the problem like the professionals that they are. They argue with one another occasionally, but at the end of the day, they're all pros. This isn't the X-Men or the New Avengers or the FF, where in-fighting and drama are part of the book. This is the Justice League: where everyone knows what they have to do and they do it without messing around. Because they're the best of the best.
It's also why I didn't care for Meltzer's or Johns' runs on the title. Humanization and deep character work is fine for other team books, but for the League, I want that to take a backseat to widescreen stories and efficient superhero work.
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