Well I haven't had the time (or funding) to do this thread for the past month or so but its back!
Baltimore: Chapel Of Bones #2 (Dark Horse): Vampires Get Merced!
Henry has finally tracked down the Vampire that killed his family and suffice to say he's not a happy bunny.
After what happened to his family you can understand Henry's desire to unleash a bit of good ol ass whooping on the Vamps.
To sum this issue up......lots of Vampires that do not sparkle die very bad deaths.
Aphrodite IX #8 (Top Cow): The "Superior" Aphrodite!?
For the first time since her appearance we finally get to see what Aphrodite XV, Aphrodite IX's upgraded model is capable of and she's got a very different approach to situations to IX.
She shows herself to be far more brutal than IX......efficient but brutal
I wasn't sure about Sejic's new approach to his art since issue #6 but this issue completely sold me on the new style of inking!
Artifacts #34 (Top Cow): Ian's Back!
Top Cow really knocked it out of the park with Aphrodite IX but without a doubt one of the most anticipated events of this week from them was the return of Ian Nottingham who hasn't been seen since 2011. For those of you who are unaware of who Ian is he's an ex member of the British SAS and a genetically modified killer who makes a habit out of catching bullets. This time though we see another side of Ian. His Assassin side, the side that caused Kenneth Irons to pick him as his bodyguard and most of the Top Cow-verse to fear confrontations with him.
In this issue Ian is proving to himself that he doesn't need the Blood Sword in order to kill people and he proves that quite convincingly via assassinations, extortion and out right cruelty.
Unfortunately for them the Yakuza are the ones the psychopathic Brit turns his talents against.
and why did Ian do all this exactly? To prove he didn't need the Blood Sword yes but also to send a message to anyone who wants to challenge him in order to take it!
Apparently drawing a picture of a giant sword in the blood of his enemies across the street was a big "Come at me brah!" to the rest of the Artifacts!
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