The Good
Robin Rises had an action-packed debut, so it's understandable that writer Peter J. Tomasi wants to calm things down a bit and give us some more character beats before once again going face first into all of the explosive madness. It's essentially the calm before the storm and it works well.
First and foremost, we all know Bruce Wayne's upcoming mission is beyond dangerous and, seeing as he's a genius and brilliant tactician, this is obviously something he knows as well. Instead of simply cracking his knuckles, putting on the armor and heading to Apokolips for some justice, he realizes there are some things that need to be said before he possibly dies. Considering the core of this story is about the importance of family and how far we'll go to make sure they're safe, Bruce meets with the bat-family to let them know how much he cares about them and wants to depart on a positive note. Death of the Family(and Bruce's five stages of grief) feels like it happened so long ago, but for them, this was a huge deal and it's nice to see the ramifications of Scott Snyder's event weren't just cast aside and forgotten. The scene isn't a tearjerker, but it's heartfelt enough and there's a few bits of enjoyable levity tossed in. It gives the story a proper sense of buildup and this really allows that final page to sink in.
I have some small gripes about the sequence in the Watchtower, but Tomasi paced it very well and filled it with little moments that manage to really impress and gave the art team a chance to shine. Artist Patrick Gleason, inker Mick Gray, and colorist John Kalisz made something as simple as one of the new Justice Leauger being humiliated in the background both hilarious and cool and Batman emerging from the darkness is something everyone should love. And if you're not already stoked for this event, the final splash page is sure to boost your interest.
The Bad
The New 52 seems a bit inconsistent with its handling of Wonder Woman. Over in SUPERMAN/WONDER WOMAN, Diana couldn't fly Clark that far off the planet and, if I remember correctly, she said something like "I cannot go any farther." But in this issue, she has no gripe racing Shazam to the Watchtower. And speaking of that scene, I get they're in a rush, but is plowing straight through the wall really the best option? Did a fail safe kick in and close the opening they just created on the space station? I get they're in a rush, but that was the only option? Also, maybe it's just me, but Bruce seemed surprisingly trusting with Lex Luthor and seemed to be cool with him making some last minute modifications to the armor. He was under the impression Luthor's tying to stall in order to stop him, so I'm not sure why he'd be okay with the genius connecting to the armor and making changes.
Minor gripe: Tim Drake appears to be taller than Jason Todd. I've always been under the impression Todd's a bit taller, but maybe Tim's been drinking more milk?
The Verdict
Robin Rises came out of the gate swinging and this chapter gives us some solid character moments and a nice amount of plot progression. Throw in some consistently pleasing panels and the journey leaves me thrilled to see what's next. Not only that, but these scenes will also definitely make sure the next dose of action is more meaningful and has more heart behind it. Bruce knows this is possibly a one-way trip and hopefully we'll see that reflected in his actions.
As a big Damian Wayne fan, I'm beyond happy to say this is turning out to be a legitimately engaging and thoroughly entertaining story. It hasn't quite hit us with the level of emotion we've seen in some of BATMAN AND ROBIN's previous story arcs, but you can really feel the buildup and I can't wait to see what the creative team has in store for us with this one. Fingers crossed this concludes with Damian's return!
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