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It wasn't a coincidence that the Shining Knight found herself in Little Spring as the Horde massed at the village gates. She's on a quest, and has been all her long life – whether she's known it or not! Now, a powerful vision will reveal to her the true stakes of the battle for Little Spring and pull back the curtain on one of the biggest secrets in the DC Universe! Don't miss "Merlin Watches The Storm," featuring guest art by the sensational Mike Choi (X-Force)! And yes, "storm" is a hint.

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4.14 stars 4.14/5 Stars Average score of 7 user reviews

It must continue 0

Demon Knights #4 - Merlin Watches the Storm by razzatazz on January 09, 2012

This was an unexpected issue, and not in the way that is pleasant.  After the previous issue I expected a bit more of a bite to this one with the "barbarians at the gate" at the end of the previous issue.  Instead of a more action packed issue, the focus is put on the Shining Knight.  Merlin shows up and describes the origin of the knight and the significance of the assembly of the heroes at the moment.  I was a little disappointed as well to see that their main objective is the Holy Grail, not ...

3 out of 3 found this review helpful.

Demon Knights #4 0

Demon Knights #4 - Merlin Watches the Storm by durakken on December 15, 2011

Art - The be on the lower side of average, though i blame that more on the inker than the penciler. The colors however are well done, among the best this week. The panels are well laid out as are the text balloons.Story - The biggest complaint about this issue is that it is excessively wordy, but it might have been necessary. Other than that all I have to say is that I like how the story weaves the origin into what's happening... Other than that I must really question the time line now as it sai...

2 out of 3 found this review helpful.

Shining Knight and the Holy Grail 0

Demon Knights #4 - Merlin Watches the Storm by the_mighty_monarch on December 15, 2011

The Good: The cover is very nice, Mike Choi has a good simplistic approach to cvoer design that works better than Tony Daniel's increasingly crowded and complex covers. Not that Daniel's covers were bad. But there's such an effective use of empty space on the cover that makes it a powerful image. This issue shows you exactly what a good time to use two artists is. It works it in a way that although it's obvious there's two artists, not only is there a perfectly valid reason, but the styles compl...

6 out of 6 found this review helpful.
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