Captain America: Reborn # 1 -

i thought that this issue was excellt in cementing steves return to the role of captain america. it involves bucky(the new cap america) and black widow to invade a hellicarrier only to be hurled in to a trap by normon osbourne ( he has hidden his dark avengers - ares and venom- on board).  
 
an excellt issue penned by ed brubaker

               Before I start let me just state that I have grown to love Ed Brubaker over the last couple of weeks. I actually read issues 1 through 50 of Captain America over the span of about a month so its fair to say that I'm becoming somewhat of a fan of both the book and the writer. Now, over those 50 some odd issues, I also came to appreciate Steve Epting's art. Seeing as he was the artist for the majority of the Captain America I read, his rendition of the Cap universe is the one I am most accustomed to which brings me to my first point.

               I did not appreciate Bryan Hitch’s art in this issue. I could pick out a few nit picky bits such as awkward poses, strange or even inconsistent facial expressions, or average layout design but what it really comes down to is that it wasn’t the look I’d grown to love.   That’s not to say there weren’t some good elements to the art because there were. The coloring seemed to have retained the same dark and gritty tone the book has had from the beginning, Cap had a redesigned helmet (or at least one that I’d never seen before) that was pretty cool, and the Red Skull seemed a bit more menacing than usual, possibly due to the inclusion of an eye in his socket, but overall it just disappointed. I don’t want to sound like I didn’t like the art because its not done by the artist I like because that would be an unrealistic way to read comics. As the audience, we can’t only read a book when our favorite artist is on it because we would never be exposed to new, and possibly better artists. The problem with Hitch is that he delivered a serviceable work that possessed few, or possibly even none, of the panels that stand out as great art like in the Epting books. The bottom line is that the art in Cap 601 was average.

               I think I’ve made my love for Brubaker abundantly clear so, with that in mind, lets examine the story. Anyone with the internet (or even the ability to read the title of the issue) can probably guess what this issue is about. Having known that the day would come when Steve Rogers would be brought back, I still feel as if its come too soon. I’ll say that I have no real attachment to Rogers because I started reading Cap from the Winter Soldier story line and always thought Bucky was a complete badass. When he rose to take the mantle of Captain America I was completely on board. I loved the new outfit, I loved the metal arm, I loved the fact that he carried a gun, I just ate it up and that’s why this issue came a little to soon for me. Bucky never had the chance to really come into his own. It seems like right when he came to terms with the loss of Rogers, Marvel decided it was time to bring him back. But, lets put that aside for now and examine this issue on its own merits.

              The issue starts with an examination of the myths that surround Steve Rogers’ life and death. Its told through a narration between two characters who aren’t revealed in the issue which gives another little mystery to tie us over to the next book which is a nice touch. The dialogue is all top notch, which is what has come to be expected from Brubaker, but unlike his other work, the events in this book fall somewhat flat. The reveal as to how Steve survived his assassination, the truth behind Sharon’s role in his death, and the final explanation as to where Steve is now just aren’t as powerful as they should be. Now, I know that my feelings towards Bucky and Rogers probably colored how I felt about all the reveals in the book, but I like to think I could appreciate good story telling no matter who it concerns but that just didn’t happen. Nothing felt special or incredibly interesting. The only thing I can hope for is that this is just a set up and that what will follow will be the typical Brubaker fair I’ve come to love.

              There was a nice little co-feature at the end of this issue written by Brubaker with art by Epting called The Marvels Project. I think I’ve made abundantly clear how good this team is so I’ll just say that its an intriguing story. It centers around a Doctor who spends a lot of time with an elderly man in a hospital listening to stories of heroes and the future that he assumes are symptoms of the old man’s dementia. The story seems to hint, by taking place in 1938 and through the old man’s tales of the future,   that the book will concern itself with the origins of specific heroes or the metahuman population as a whole. This small preview doesn’t reveal much but if those hints are right then the book, which is scheduled to come out in August, has some potential.

              Overall, Captain America 601 is decent, if only for the set up for what will most likely be the new standard for the book. The art is average or maybe slightly below depending on your personal preference. Nothing spectacular happens in the story but you do get to see the paradigm begin to shift as Rogers is thrust back into the main story. We can only hope that now that the preliminary work of establishing this new standard is done we can go back to the great Cap we’ve been getting for so long now.

This book was without a doubt the most highly anticipated release from Marvel this week. ‘Captain America Reborn’ promises the return of Steve Rogers, and whilst this was generally a well executed read by the creative team, the circumstances around Steve’s return left me a little disappointed.

The main story for this issue follows on from Captain America # 600. Sharon Carter explains to various Avengers members past and present how she is beginning to remember pieces of her past under the mind control of the Red Skull, when she was used in the assassination of Steve Rogers and what happened in the events that followed. She recalls how after Steve’s death, the Red Skull and Zola used her as, what they refer to, as a ‘constant’ along with a variation of Dr Dooms Time Platform in order to pluck Steve Rogers body out of the time stream where somehow he has been locked away. Confusing I know! The experiment was unsuccessful however when Sharon fights against her restraints and causes the Time Platform to shatter which then causes Steve to become unstuck in time, making him relive moments from his past, which I have to say sounds very similar to a certain Bruce Wayne’s current predicament.

Why was I disappointed? Well time travel is used so much in modern comics and films and books etc. and to it seems to be an easy way out of a characters death. Just travel in the past, grab them before they die. Like that story hasn’t been tried a thousand times before! I was hoping for something more from a good writer like Brubaker, plus we are still not clear as to why the Red Skull would go to all the trouble of killing Cap, just to resurrect him from the time stream, it just does not make sense.

This series story is such a continuation of the main title, there really was no need to make this a $3.99 mini series, apart for Marvel to make some more money. If you haven’t been following the main title new readers will probably be lost. 

The art is generally good but some of the smaller action scenes with the H.A.M.M.E.R agents felt a bit rushed. I do feel though that Hitch is a good choice for this book as the art style is in the same vein as the work Epting and Ross have done in the main Cap series.

A high point for this book was Steve reliving D Day in Normandy, it was great to see him back in action and even though this wasn’t the most positive of reviews, I am looking forward to Steve’s eventual return, so I’ll be here for the whole ride.