The Good
There are a lot of great things that the Hushstoryline did, both in terms of telling a great story and setting up characters in new and interesting ways, but perhaps no one benefited from that more than the Riddler. Relegated to joke status after years of being the criminal who telegraphed his crimes, he was reborn as a cocky, quick-witted mastermind capable of putting one over even on the Dark Knight. So when it looked like he was going to be the mastermind of BATMAN ETERNAL, it was actually a bit disappointing. It felt like a rehash not only of that storyline, and that it was going back to the well so soon on Scott Snyder’sZero Year, another tale of Riddler masterminding a plot, though with its own substantial differences from this and Hush. HOWEVER! It seems the man of a million questions has an entirely different role to play, and the way that Snyder, along with James Tynion IV, Kyle Higgins, Ray Fawkes and Tim Seeley introduce and reveal that fact is worthy of some very, very high praise. Bats tracks Nygma and while we see glimpses of his supporting cast, it’s mostly Batman and the very-quickly-finding-her-footing Penny-Two. The fact that this is a Batman bereft of almost all his gadgets and tech only makes the issue more intense and effective, reminding us that the clothes truly do not make the man in this case. It’s great seeing Bats rely more on skill and cunning than having an everything-repellent-spray in his belt of tricks. We do get to see what the rounded up Arkham escapees have been up to and, far more terrifyingly, where they’re headed next. We also get to see Vicki Vale coping with the betrayal of Jason Bard the best way for an ace reporter to cope. The subplots are excellent and don’t detract from the main storyline of Bats winding and weaving through Riddler’s various ploys and, in fact, they add even more intrigue to wherever the book winds up going after this.
Felix Ruiz provides the linework and perfectly captures the desperate tone of this book with jagged, wild visuals, highlighting the issue’s frantic pace. While the panels move along at a brisk pace, the layout never loses nor becomes incomprehensible, and that’s an important balance to strike. Dave McCaig’s colors are dark and dingy, even when Batman travels to the snowy mountainous headquarters of his quarry. The snow itself looks darkened, and that’s a neat, very evocative effect.
The Bad
It’s an incredible thing to say about a weekly book, but I really can’t think of much wrong with this issue. There’s a very minor plot quibble about the lack of security around so many high-profile Arkham escapees leading to a rather inevitable outcome, but that’s a very minor point.
The Verdict
Act 3 of this book, if it wasn’t already introduced, is surely in full-swing now. We’re coming up on the beginning of the end and there are still a few tantalizingly teased out mysteries to solve as well as a few more hanging threads to tie up. This book has been a perfect example of controlled chaos: seemingly disparate parts coming together in organic, interesting ways. This book wins the unofficial award for Biggest Surprise of 2014 and I STILL, after 39 rapid-fire issues, can’t wait to see how it all ends.
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