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Off My Mind: Comic Book Characters Vs. Creators

What is the deciding factor when choosing comics, the creative team or the characters?

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Recently the question came up about what is more important to comic book sales, the characters in the comic or the creative team putting out the comic. There are so many comic titles on the shelves these days and many writers are working on multiple books as well.

Years ago, it wasn't that much of a question. Readers tended to follow the adventures of the characters they found interesting. It was easy since we didn't have loads of multiple titles based on the same characters and teams. Readers didn't have as many choices as they do today.

Publishers soon caught on to the idea that characters that were popular could carry spin off titles and fans would buy them. Writers and artists also emerged as an important factor in what made comic books fun and entertaining. As the comic market evolves, what is more important to comics, the characters or the creative team?

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Comic readers can be extremely frugal these days. There are seemingly more titles than ever but with the rising cost of comics, readers are finding themselves making harsh decisions when it comes to what is on their pull lists. If you're a fan of the X-Men, you're going to want to buy UNCANNY X-MEN, X-MEN, WOLVERINE AND THE X-MEN, X-MEN LEGACY, ASTONISHING X-MEN and most likely UNCANNY X-FORCE. There are also other spin off titles such as NEW MUTANTS, X-FACTOR, GAMBIT and the upcoming ALL-NEW X-MEN. But for those on a budget, it might not be possible to buy all these titles. They may have to narrow it down and if the writing or artistic quality of one off shoot title isn't on the same level as others, readers will only buy the books that are worth their money.

One question to think about, why did 1991's X-MEN #1 sell as many copies as it did? The multiple covers helped but did it sell because it was a new X-Men title or because Chris Claremont and Jim Lee were working on it?

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The same could be said for the Batman titles. There is no question that since the New 52 started, not all Batman titles have featured the same consistent quality. They all feature Batman but some of the stories are on a different level than others. There's also the fact that readers also have to make room in their comic book budget for the other titles and characters that are released.

Besides the multitude of franchise titles, we're also seeing several creators jumping ship to pursue creator-owned titles. Ed Brubaker recently announced he was not only leaving CAPTAIN AMERICA but also ending his WINTER SOLDIER run. Will fans of his work continue to read the adventures of Cap and Bucky or will they take their dollars and buy whatever project Brubaker works on. In an ideal world, readers can do both. Their beloved characters (Cap and Bucky) will continue to have kickass stories that they can buy and they'll also be able to purchase anything else Brubaker does.

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Grant Morrison has also announced he's ending his run on ACTION COMICS and BATMAN INCORPORATED. With the high profile those titles have, we'll all be paying close attention to what the future holds for them. Whoever steps in will have to deal with high expectations. Will sales drop or stay the same on ACTION COMICS once grant leaves? Are people reading it more for Grant or because it's Superman?

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If there are popular characters that will sell no matter who the creative team is, why don't publishers put their top creative teams on titles that don't sell? Marvel puts their "architects" on the top titles. If a book was selling poorly it would make more sense to put the really good writers and artists on them to boost sales while the popular characters will be able to sell themselves. It doesn't work that way.

Readers are more reluctant to try new comics and ideas. If a familiar and consistent creative team is involved, that helps consumers to take a chance. But with more titles being crammed onto the shelves and readers forced to make harsh decisions, the line between creative team and characters is becoming clearer. Not all comics are created equal.

As readers are becoming more conservative with our purchases, we expect high quality and can't simply buy follow all titles involving our favorite characters blindly. We need to let publishers know that we do have these expectations. The only way we can express this is with out wallets. The days of buying every single AVENGERS or X-MEN titles are over. If it turns out they are all high quality, that's a different story. What it comes down to is readers are more aware of who is behind the curtains and will not simply buy everything involving their favorite characters. To imply that we otherwise is an insult to our intelligence.

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GC8

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Edited By GC8

The characters are only as good as the people writing and drawing them.

We've all 'pretended that never happened' when a bad creative team trashed one of our favorite comics. (Hell, even the publishers do that by rebooting or otherwise erasing stuff with retcons they knew was poor)

On the other hand, comics I'd never pick up on the strength of the character alone I'll give a chance to if there's a writer/artist I know I like.

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Strafe Prower

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Edited By Strafe Prower

Both are equally important IMHO.

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sinestro_GL

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Edited By sinestro_GL

Always a bit of both. We have preferred writers and favourite characters.

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knighthood

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Edited By knighthood

Ditto on the combo front here. I try to stick with characters (Batman, X-Men, Wolverine, Wildcats, Authority, Ghost, Batwoman, Catwoman) then only read those titles if I like the creative teams. Currently the new creative team on Catwoman has me a little concerned. I'll give them a chance. I did stop reading Voodoo and Stormwatch because of the creative teams.

Then I try to give hot creators a chance (Snyder's American Vampire, Swamp Thing, and Lemire's Animal Man). On occasion I try an unknown artist or character. A current example would be Image Comics Revival.

Since I feel this article was prompted by the Liefeld and Snyder tweets, I'll share my two cents. I will never buy anything from Liefeld. Personally I think he ruined the New Mutants and is very stagnant as an artist. So I was never interested in Liefeld's Grifter even though I really like that character.

On the other hand, I was reading Snyder's Swamp Thing series before his Batman series. I tried all four Batman books at the launch and I hated Capullo's rendition of Joker in Batman #1 (plus I never liked his work on Spawn). So initially I was not reading Batman because of the artist. Snyder's great story pulled be back to that series even though I wasn't a fan of the artist.

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ElReginaldo

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Edited By ElReginaldo

For me, it's all about who's writing and drawing the stories. For example, Wolverine is theoretically a great character, but an inept creative team will only imitate what superior writers and artists did with him in the past. I certainly would not read a prose novel if it weren't written by a writer I liked, nor would I look at a painting full of interesting subject matter if the painter had no talent. It's the same for comics.

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Darkmount1

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Edited By Darkmount1

Oy gevault--the question this news story asks is one of MANY reasons I did my "Sorry State of the Superhero Comic Book Today" blog. I'm one of the few who reads a title not based on my choice of character or just my choice of creator--it's BOTH. I want my characters written by my favorite writers, who I trust to do their best to write and or draw good stories featuring said characters. It's why I love Gerry Conway's Firestorm, Roger Stern's run on Captain America, Larry Hama's GI Joe, and Bob Budiansky's/Simon Furman's run on Transformers. The only reason I decided to follow the current "Defenders" series is because I liked the concept enough--Marvel super team that deals with the more esoteric threats to the universe. It's also the only modern Big Two title I'm following, and I'm greatly disappointed that it's ending at issue 12. I'm going to at least give the new Hawkeye and Captain Marvel titles a try, for two reasons: A) Hawkeye and Carol Danvers are two of my favorite Marvel characters, and B) I met both Matt Fraction and Kelly Sue DeConnick at a convention, and they were quite nice people, so I'll give their work a shot. But underneath both those reasons, I'll read those two titles with respect to the characters' original creators (Lee/Heck for Hawkeye, Thomas/Colan/Claremont/Romita Sr. for Danvers), knowing that Fraction and DeConnick are surely honoring those creators' legacies while putting their own spin on these timeless creations.

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RedOwl_1

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Edited By RedOwl_1

The characters lead me to try something, but if the comic isn't good, Goodbye!

Also if I'm tented to try something new (like with AC a year ago) and I see the creative team is great, I give it a try.

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SandMan_

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Edited By SandMan_

Who will be able to fill in Grant's shoes in AC?

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AskaniSon295

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Edited By AskaniSon295

Characters are more a factor than creators I haven't read Morrison's Batman or his Action Comics. But I loved his New X-Men, Marvel Boy & Seven Soldiers because I liked those characters more, Now interesting enough I haven't liked and Marvel boy stories or read any 7 soldiers stories after Morrison's run. So essentially it has to be the right combination.

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acomicbooklook

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Edited By acomicbooklook

I have always been a creator over character, there are no bad characters, just bad ways to write them.

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Jotham

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Edited By Jotham

Interesting discussion, personally I base my comic decisions on the creator. I will buy pretty much anything by Grant Morrison, and to a lesser extent Warren Ellis. 
On another note, that's a very strange headshot of Brian Michael Bendis.

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tim_mik

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Edited By tim_mik

Having only been reading consistently for about 6-7 years, I don't know some of the guys that have been gone since the 90s so I usually go with character first and if I'm mildly interested in another book and I know the reputation of the team, it would make me more or less likely to pick it up. In turn, getting to know new teams and writers could turn me off of a book I have been reading. I didn't like what Ann Nocenti did to Green Arrow recently so that makes me more likely to drop Catwoman when Judd is finished writing.

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RayeGunn

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Edited By RayeGunn

For me, it's a bit of both. There are certain characters I will follow, and only a very few creators whose work I know I definitely do not like at all will keep me away from their adventures, and I will tend to give series with these characters longer than I might normally give a book to win me over. Nightcrawler, Kitty Pryde, Apollo, Midnighter are the big ones. But there are also writers I will follow, even if I don't care at all about the characters. Warren Ellis, Grant Morrison, Neil Gaiman, Brian K. Vaughan, Alan Moore, and more recently Scott Snyder and Jeff Lemire have been added to the list, among others. The list of creators I follow is definitely a lot larger than characters. Of course, when favorite characters and favorite writers meet is when it's the best. ;)

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DocFishstick

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Edited By DocFishstick

for me it is both. i love batman and i think i will always pick it up but a great team on a book will also make me check it out too.