Each week Dynamite Entertainment gives us an exclusive extended look at some of their new releases for the week. This week they're giving us longer looks at four of the new issues.
You can check out the regular previews to all ten of their new releases HERE.
DOC SAVAGE #2
Chris Roberson (w)
Bilquis Evely (a)
Alex Ross (c)
FC • 32 pages • $3.99 • Teen+
It is 1949, and Doc Savage and his aides return from an adventure in far off, exotic locales to find danger waiting for them much closer to home. Someone has discovered the location of Doc’s “Crime College,” the hidden hospital where he “cures” prisoners of their criminal tendencies. And Doc faces an impossible situation when forced to choose between the greater good and the life of his own cousin, Patricia Savage.
LEGENDS OF RED SONJA #3 (of 5)
Gail Simone, Rhianna Pratchett, Leah Moore, Nicola Scott (w)
Jack Jadson, Naniiebim, Tula Lotay, Doug Holgate (a)
Jay Anacleto (c)
FC • 32 pages • $3.99 • Teen+
The prestigeous anthology series continues as the GREY RIDERS continue their quest to hunt and kill Red Sonja, but is she truly guilty of the horrendous crimes she is accused of? Spectacular short stories by Rhianna Pratchett (Tomb Raider), Leah Moore (Damsels, Sherlock Holmes), Nicola Scott (Earth Two, Secret Six), and series regular Gail Simone (Batgirl).
THE MOCKING DEAD #5
Fred Van Lente (w) Max Dunbar (a) Bill Tortolini (c)
Fans & retailers, order the cover of your choice!
FC • 32 pages • $3.99 • Teen+
At long last DIA agents Bunch and Malik uncover the connection between the long-lost film Mocking Dead and the real-life undead plague keeping the globe -- and you have to see it believe it! But with the zombie apocalypse quickly reaching the point of no return, can they stay alive long enough to get it to the military in time?
VAMPIRELLA ANNUAL 2013
Mark Rahner (w)
Randy Valiente (a)
Chris Bolson (c)
FC • 40 pages • $4.99 • Teen+
Vampirella meets “Baxter” – a serial killer with a code, who only preys on other killers. But why are there so many other serial killers cropping up in Miami? How does Baxter keep escaping so many close calls with the people he works with – who are all police detectives? And what's it all building to?
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